Something bad is going to happen today. I awake to that singular thought, clear and
loud in my head. There’s a knot in my
stomach, the kind you get when your intuition tells you something just isn’t
right. Before I can address this
feeling, I hear an engine staring up outside. Fuck. Becky is taking the
car and leaving without me. Sometimes I
swear she pulls shit like this just to spite me. I groggily open my eyes and drag myself out
of my warm bed to the window. The
morning air is cool on my face and the breeze blows my satin curtains into the
room. Through the light, misty rain I
see my younger sister blow a kiss in my direction as she backs out with the
Honda - the Honda that we agreed to share.
I sigh and rush to get dressed.
It’ll be a hell of a walk if I want to make it to school on time.
School
sucks, as usual, another day of monotonous classes and bitchy students. At least I have my best friend, Erin around
to keep me sane. On this particular day,
she suggests we hit the library after school.
“There’s this lecture on international relations,” she said with a grin. Erin knows me too well; how I love to throw
myself into intellectual endeavors to avoid dealing with my feelings.
When
the final, piercing bell rings, I all but jump out of my seat, grab my bag and
book it out the door. As I cross the
parking lot, I notice a familiar, blonde ponytail a dozen feet ahead of
me. “Hey!” I shout. Becky stops and turns on her heel.
“Hey
yourself”.
“What the heck was
that this morning?”
“I have no idea
what you’re talking about.”
I roll my
eyes.
“Really we’re
going to play this game?”
My sister stares at me blankly. So I reluctantly elaborate.
“I’m referring to
the fact that we are supposed to be sharing
the car and you took off before I was even awake.”
“Sorry, I had places to be.”
“Right… and you
just assume your places to be are more important than mine? I was late for government because I had to
walk three miles in the rain!”
“Awww, three whole
miles?”
Becky makes a sarcastic pout. “Suck it up,” she says. “The exercise is good for you”. I try to calm down. I’m not in the mood for another sisterly
fight. “Look Becky, I’m having a crappy
day and I am really, really not in
the mood to put up with your sarcasm.”
“Fine, whatever,” she says without a trace of sincerity. “I’m sorry for not giving you a ride to
school. Can you get over it now?” God, sixteen-year-olds can be
infuriating. “No!” I snap. “I’m not just going to get over it. I got over it the first five times you pulled
something like this!” “Yeah sure,
whatever, it won’t happen again.
Promise”. I glance at my watch. Shoot!
Already 3:15? “You know what?
I don’t need this. Erin and I are going
to a lecture at the library and if I don’t leave now, I’m going to miss it. “Then I guess you won’t make it. I need to go talk to coach McGuire about
tennis practice tomorrow.” As she turns
to walk away, a wave of anger overtakes me.
I snatch the keys out of Becky’s hand and storm towards my car. Behind me, I hear shouting. “Seriously? How am I supposed to get
home?” I can’t resist throwing my
sister’s own sass back at her. “Exercise
is good for you!” “I hate you!” Becky
screams. These words hurt me, but I
brush them off with a nonchalant “Whatever!” and drive away, leaving her
standing alone in the parking lot.
After
the lecture, I get into the Honda, and turn on the radio. The traffic report says there was some sort
of accident on Almond Street, but the backup is starting to disperse by
now. Just to be safe, I avoid that side
of town altogether and take the back roads.
As I turn onto my street, I see the glow of red flashing lights up ahead.
Huh. Some sort of excitement must
be going on. When I get closer, I
see several police cars in front of my house.
There is a cluster of our neighbors standing across the street,
watching. My stomach tightens a little,
but I don’t want to jump to any conclusions.
I pull into the driveway and get out of the car. The neighbors all start whispering to each other. I wish they’d just mind their own business. A tall, policeman with broad shoulders and a
serious expression comes out of the house, slowly. “Are you Jennifer Johnson?” he asks. “Yes” I reply cautiously. “Am I in trouble?” “I’m very sorry, miss. A car hit your sister, Rebecca, this
afternoon while she walking along Almond Street. The driver called an ambulance, but she was
killed on impact. There was nothing they
could do.” NO! “No.” I wait for him to tell me there was a
mistake, that this is the wrong house and apologize for the confusion. He just stands there looking official. “No!”
This time I don’t recognize my own voice. It sounds higher, strangled. “That’s not possible! I just saw Becky three hours ago, she can’t
be…” I trail off. To say the word would
make it too final, too real. “I’m very
sorry for your loss ma’am.” The
straight-faced man says. “No! I don’t
believe you!” Of course I do. “You’re lying to me!” Why
would he lie about this, idiot?
“I understand this is a difficult
time-“
“Difficult? Difficult? No, this isn’t
difficult at all because I know it didn’t happen!”
I will not accept this. “Becky put you up to this, didn’t she?” I force a laugh. “I’m going to kill her!” I look back at the tall man’s stone expression. In a last, desperate attempt, I beg, “Please tell me you’re kidding?” “I wish I could.” And with that, he turns and goes back into
the house. Through the open door, I see
several other officers. I catch sigh of
my father’s arm around my mother’s heaving shoulders. Her sobs make everything real for me and it
starts to sink in. I feel my entire body
go numb; the tightness in my stomach now feels like a bag of rocks; the lump in
my throat is so large, I don’t know how I’m still breathing. Oh, God. I feel the prick of tears in the corners of
my eyes. Oh my God! I want nothing
more than to collapse right then and there on my front lawn, but I still have
my pride. I see the huddle of our
neighbors watching me intensely, waiting to see what I’ll do next. I’m not a museum exhibit. My pain will not be their entertainment. Somehow I make it to the front door. My feet move as if I were sleepwalking. The moment I walk in the door, my mother
tries to comfort me. I’ve never seen her
like this. Her flawless curls are now
disheveled and mascara has formed a dark smudge down each of her cheeks. The sight of my strong, confident mom in this
state scares me. I feel like a bitch,
but I brush off her attempted hug and go straight upstairs to my room. The satin curtains remind of this
morning. When I had stood at that window
with nothing but contempt for my younger sister. The younger sister I would, now, never see
again. With that thought, I crumple onto
my bed and cry until my body can’t take it anymore and sleep drags me under.
Days
pass. I don’t leave my room. I try my usual coping method of throwing
myself into my pile of books, but even that can’t hold my attention. I feel bad for my parents. When I turn down the reheated casseroles they
try to bring me I can see the anxiety written all over their faces. I just can’t bring myself to eat anything,
read anything, do anything. I try
sleep. You can’t feel anything when you
sleep. But every time I close my eyes, I
see flashbacks of that day: Becky blowing me a kiss a she drives away, her
blonde ponytail dancing in front of me, yelling at her in the parking lot,
leaving her standing there all alone.
What haunt me most are the last words we ever exchanged. “I
hate you.” “Whatever.” A wave of anger rises from my gut. Why the fuck did I blow her off like
that? Was my stupid lecture really more
important than my sister’s life? Did she
die thinking I didn’t give a shit about her?
The more I think, the more I hate myself. After a few days, I finally concede, and
choke down some tuna casserole from Mrs. Miller down the street. I remember her standing across the road
staring at our house that night. But,
then again, who wasn’t? The casserole is
salty, but I know I need to eat something.
Not that I deserve it. Why am I
sitting here eating tuna while my little sister is laying in a morgue somewhere
waiting for her burial? The injustice of
it all disgusts me and I can’t force down much food before I want to be
sick. I retreat back to the relative
safety of my blankets and pillows and pray for sleep that isn’t filled with
Becky’s smile.
Days
turn into weeks. My phone rings several
times a day. I know its Erin. I know she’s worried about me. I don’t pick up.
Finally,
my parents tell me they want me to go see a therapist. A
shrink? They expect me to tell some
stranger about my problems when I won’t even talk to my best friend? I try to resist the idea, but they are
insistent. Finally I agree and, two days
later, am dropped off outside a cement, clinical-looking office building. “We’ll be back to pick you up in an hour, Hon,”
my mom says as she gives me a quick hug good-bye.
I walk through the
heavy glass door and sign in with the receptionist, a young man probably still
in grad school. “Just take a seat,” he
tells me. “Dr. Collins will be right
with you.” His voice is soft but sounds
somewhat rehearsed, like he’s trying a little too hard to be comforting. I sit on a plushy, brown couch and take in my
surroundings. The lights are covered in
blue scarves, making the space dimmer; the walls are painted pastel green; the
waiting room smells distinctly like lavender incense. The glass coffee table in front of me is home
to a neatly trimmed bonsai tree, a stack of magazines, and a little Zen
garden. I absent-mindedly pick up the
rake and drag it back and forth through the fine, white sand. “Jennifer Johnson?” I look up at a professional- looking woman in
her mid to late thirties. Her make up is
minimal, but infallible; her dark red hair is tied up in a tight bun. “That’s me.”
“Wonderful. Right this way,” Dr.
Collins gestures me forward with a smile.
Her office has
minimal decorations. It’s the same shade
of green as the waiting room and there are a few candles burning around the room. My shrink sits on an office chair behind a
wooden desk. I take my place in the
leather armchair in front of her. “So,
Jennifer. How are things?” As if I’m going to just start spilling all my
deep emotional crap to this total stranger.
“Fine.” I answer shortly. “Are you sure there’s nothing you want to
talk about? You’ve been going through an
extremely devastating time. Whatever you’re
feeling is completely normal. Trust me,
I’ve seen it all.” Please stop talking to me.
“Yeah, no, I’m fine. I don’t want
to talk.” Not to you, anyway. “Look
Jennifer, I understand how you’re feeling.
After the loss of a loved one it’s typical to feel grief, anger, even
guilt-“ My stomach lurches. How does she
know? I didn’t tell anyone about Becky
and my last exchange. I couldn’t stand
the thought of the subtle accusations on my parents’ faces. They’d try to hide it, of course. But it would be there. They would blame me, as they should.
“Guilt?”
“Yes, survivor’s guilt. Some people find themselves questioning why
they were the one to live while another was not. They might even feel personal responsibility
for the situation. The important thing
for you to understand, Jennifer, is that this is not your fault.”
“The hell it isn’t.”
“What do you mean by that?”
“Just forget it.”
Dr. Collins leans forward in her
chair and looks at me with such an open and patient expression that I almost
tell her everything right then and there.
“Look, Jennifer, I really am here to help you. Please help me do that by telling me what’s
on your mind. I promise, I won’t judge.”
I
start to open my mouth, to confide in this woman I’ve only just met, to bare my
soul, but something stops me. My words
stick in my throat. “I’m fine” is what
comes out instead. “It’s okay not be
okay, Jennifer,” Dr. Collins says reassuringly.
It’s too late. My walls and
defenses are already up. That moment of
vulnerability has passed. “Okay. I’m fine,” I say shortly. “Can I go now?” Dr. Collins sighs. “Jennifer, I can’t help you if you aren’t
willing to let me. I really wish you
would discuss this with me, but if you refuse to, there’s nothing I can
do. But, here, at least take my card and
call me if you ever need anything,” she hands me her purple business card with
DR. COLLINS in bold white letters across the top. I quickly take it, give her a tight smile and
hurry out of the office.
I
sit on the curb and look at my watch. I
still have half an hour to wait for my mom to come pick me up. What am I going to tell her when she asks how
my session went? Oh yeah, mom, everything was great.
I talked about my feelings; we held hands, cried; now everything’s just
peachy! Bullshit.
Screw it. I can’t just sit here waiting for my ride. One of the only perks of living in a small town:
everything’s within walking distance if you have the time. I pick myself up off the sidewalk and walk
home. There are dark, purple
thunderclouds gathering on the horizon, but I’m certain I have a few hours
before they reach us. It’s almost
refreshing to be alone with my thoughts; I let all the sorrow, guilt, and rage
that have been bottled up inside me run free within my head. This may have been a mistake. Every negative thought, every accusation,
they’ve all been laying dormant in my subconscious. Now that I acknowledge them, it seems as if
they are fighting each other for my attention.
This whole thing is your
fault. What would your parents say if
they knew the truth? Would they even
still love you? Everything is your fault. You selfish bitch. My mind races; my own thoughts start to
overtake me and I feel like I’m drowning.
When I see the
black shingles of my roof, I have a brief, moment of relief; finally a safe
haven. But a second later I realize that
these thoughts haunting me are not just going to go away. Now that I’ve opened the floodgates, they’re
never going to go away. Your fault.
All your fault. Everything is
your fault. I stand in the driveway
of my childhood home, confronted by the nightmare of my own mind. I can’t do
this anymore. I will not live like
this.
The Honda lies,
untouched, in our garage; I haven’t had the stomach to look at it since that
day. I can’t do this anymore.
Some mix of determination and desperation clutches me. I grab the keys from on top of the front left
tire and start up the engine. The sound
brings back a flashback; me groggily opening my eyes, looking out my window,
Becky blowing me a kiss as she drives away.
All your fault. I try to shove the thought out of my mind but
others just replace it. Without
realizing what I’m doing, I throw the car into reverse and take off. I know I’m in no state to drive. I don’t care.
I can’t see any thing except the road in front of me. I can’t hear anything except the roaring in
my head and the ringing in my ears. I
feel like I’m possessed. A part of my
brain, which I do not fully understand, has taken control. I have no idea where I’m going; I just
drive.
Finally I stop the
car, and turn off the engine. Of course. I’m parked on the old bridge, steel bridge on
the edge of town. Nobody uses it anymore
since they built the main road back in the 80s.
The vegetation has started to take over; ivy wraps around the steel
support bars, the cement on the bridge and the road leading to it is now ridden
with potholes nobody saw the use in fixing.
Just through the trees is my old elementary school. Becky and I used to sneak away at recess and
eat our lunches on this bridge. We’d
play fairies and princesses, fight dragons and capture thieves. We were best friends back then-
inseparable. What changed?
My hand brushes my
cheek to wipe away tears I hadn’t realized I was crying. I find myself standing on the edge on the
bridge gripping the rust-covered beams. The cool wind from the oncoming storm cuts the
warm air and blows my hair back; it smells like rain. I hear the familiar boom of thunder not too
far in the distance. The sky has been
gradually darkening, making the world a strange color. I stare at the gushing river, maybe thirty
feet below. The water turns white as it
dances over the rocks. It looks so
peaceful, so serene, so beautiful. I do this anymore. My hands tighten around the metal. The rust is cool and solid, the first firm
thing I’ve been able to hold for what seems like years, the first piece of
stability in my life since I lost Becky. All your fault. You did this.
Your fault. You selfish
bitch. You killed her. You killed her. You
killed her. I don’t bother to
wipe the tears from my cheeks this time.
I just let them fall. I keep my
eyes fixed on the rocks below. Every
muscle in my body tenses as I prepare to lift my body weight over the rusty
bars.
Is this really what Becky would want? A voice rings clear in my ears, rising about
all other thoughts. Are you honestly going to leave your parents to grieve the loss of two
children? I come out of my
trance-like state and my situation starts to sink in. This isn’t the solution to my problem. This won’t solve anything. This will only cause more pain. My muscles relax and I let my arms fall to my
sides. I hadn’t realized how tightly my
hands were clenched around the metal bar.
I stand there, in the middle of the bridge alone for a few minutes. I take in the humid air, the stillness, the
occasional thunder.
Finally, I realize
there is only one place to go. I drive
to the John Wilson cemetery. Becky’s
grave still looks fresh. There is only a
thin layer of grass growing over it. I
had never found the strength to come visit until today. The stone is nice; shiny black granite. Big white letter proclaim:
Rebecca Johnson
Beloved Daughter, Sister, and Friend
1997-2014
Beneath the words is a little
engraved picture of Becky. Mom and dad
chose one of her tennis pictures. She
looks so happy, so carefree. She had the
world at her fingertips.
“Hey
there, Becky.” I feel a little awkward
talking to a stone, but continue anyway.
“Gosh, I don’t know what to say.
It’s weird, you know. Talking to
you without getting some sassy comment back.”
I laugh uncomfortably. “I wish
you did have something snarky to say right now.
Believe it or not, I miss our fights.
I miss the challenges you gave me.
I miss my partner in crime. God
Becky, I just miss you so much.” A sob
heaves through my chest and escapes my lips.
“I can’t get that day out of my head.
Everything I see reminds me of you.
Every time I close my eyes I see your face…” I pause for a moment,
taking a few deep breaths. “There are no
words to describe how sorry I am, Becky.
This whole thing is my fault. .
I don’t know how I can ever forgive myself for what I did. I certainly don’t except you to, wherever you
are…” I trail off. “I just want you to
know that even though we used to fight all the time, I couldn’t imagine my
childhood without you. Becky, you were
my best friend, I just wish I had been able to tell you that sooner.” I sit in silence in front of the stone for a
few moments. “Okay, well, I guess that’s
all I have to say. I suppose it’s too
little too late, huh?”
Suddenly I smell what I swear is Becky’s
perfume. She never left home without
copious amounts of the stuff; I’d recognize it anywhere. I look around the cemetery. Someone must have the same brand. But the place is empty; no one wants to get
caught in the rain. Maybe it’s just
wishful thinking, maybe it’s a strange sisterly connection, but I feel like
Becky is nearby. Suddenly an impossibly
light breeze rustles my hair and I distinctly hear Becky’s voice whisper, “I
forgive you.” It can’t possibly be
her. Becky’s gone. She isn’t coming back. I try to convince myself I’m just imagining
things, but I can’t quite shake the feeling that I’m not alone in this
cemetery. The first drops of rain start
to fall. I feel the warmth of relief
that I can’t describe deep in my chest.
It might take awhile, and I may never be okay, but I’m going to get
through this. I can be strong, for Becky
if nothing else. “I love you so much
baby sister,” I say as I stand up and make my way back to the car.
I know my parents are going to be worried
about me by now. I need to get
home. I can’t believe how selfish I’ve
been acting. I shut everyone else out to
deal with my own pain without even considering they’re feelings. My parents must’ve spent so much energy
worrying about me through all this. Not
anymore. I’m going to pull myself
together and be there for my family. I
know I can do that.
Before I start the car, I pull out my
cell phone and a little, purple business card.
I dial the number and listen to the ringing on the other line. “Dr. Collins’ office.” “Hi Dr. Collins. I think I’m ready to talk
now.”
Dear Kelsey,
ReplyDeleteWow what a compelling and heartbreaking story you have written! It takes guts to write such an emotional story and I think you have done a great job! Your writing captures the readers’ interest and keeps them involved in the story. The details in your writing allowed the readers to focus on the story and the emotions. I appreciated the details you included such as those of the car and of Becky’s blonde ponytail. Furthermore, the characters’ transformation leaves a powerful impact that satisfied me as a reader. The ending rounded out and completed the story nicely. Your decision for Jennifer to call Dr. Collins nicely pays off the readers’ hopes for the character. Additionally, your description of Jennifer’s visit to the doctors’ office seemed to accurately represent the feelings Jennifer would have been feeling. I related to the description of Jennifer’s vulnerability passing. “Dr. Collins leans forward in her chair and looks at me with such an open and patient expression that I almost tell her everything right then and there… the words stick in my throat…It’s too late. My walls and defenses are already up. That moment of vulnerability has passed.” This description accurately depicts the fragile state Jennifer must be in and the difficulty she feels in opening up to such intense vulnerability.
I think if you described the location more specifically, the readers would be able to visualize the story more. I think you have a strong sense of location but I felt like I wanted to know specifically what state we were in. For example, does it take place in Oregon where thunderclouds commonly roll in or does it take place in California where the thunderclouds rarely appear? Furthermore, it might be interesting to add details about what the school was doing to commemorate the tragedy and how this affects Jennifer. The moment I think you could work on the most is when Jennifer finds out her sister was killed. This is such an intense moment to be able to capture and it may take some research on how people generally react to such news. As it is now, the dialogue seems a little too composed and formal for someone in that kind of shock. I feel like many times these moments are handled the same way in stories and movies and it may be worth going back through this moment (and the days following for Jennifer) and adding honest and gory details that capture the deep anguish Jennifer must feel. I think this would make your story more unique and impactful. Overall, very well done Kelsey I really enjoyed your story!
Nicole Jones
Dear Kelsey,
ReplyDeleteYou've included so many powerful moments and emotions in this story. I loved how you dove in and wanted to deal with all of these strong and impactful scenes with the main character, that's not an easy thing to do. I thought you did a great job with keeping the reader involved. I kept wanting to know what Jennifer was feeling, what she would do next, especially towards the end. The climax was well developed, I couldn't figure out if she would go through with the suicide or if she would change her mind. I also felt that the way you wrapped up the story was a nice way to end it, leaving the reader satisfied and not wanting more.
I felt that there were places where you could have developed detail more. I understand that you wanted to focus on her emotions more than her surroundings, but now that you have those emotions down developing the details of the story would lift it up a bit. Details like the drive to the event at the library after she leaves her sister at school, her physical surroundings, landscape like Nicole previously mentioned, little things like that. I also feel that removing the curse words and even swapping them would make the story better. I found myself getting caught up by the curse words and for me they didn't necessarily increase the level of emotion, but made Jennifer feel more childish to me. These are some heavy things going on in the story, and if you were to make the language more "adult" and not include curse words, I feel it would benefit the story. I also think that if there was one event for the reader to focus in on, like finding out her sister is dead, that would help center the story. I felt as if it was a bit rushed because so many things were going on at once. I liked how we got the entire story, but I thought some parts of the story weren't given their justice and were glazed over when they should have been written in greater detail and with greater depth.
Overall, I thought it was a really ambitious story and you did a good job with it!
Kassidy Neil
Hey Kels,
ReplyDeleteAs you're writing partner, I've seen a lot of your stuff. You've come a really long way in such a short amount of time. You've written a story that while not personally relatable to me is still captivating and riveting. You sum up the stages of loss really well (there's your inner pysch major ;) ) and present this character who is living with the crazy aftermath of a seemingly unimportant decision.
One thing I was a little confused by is how time changes and why certain things were left out. I wasn't sure how long she was in this depressed-comatose state right after her sister died. There's a line about how she hadn't looked at the Honda since the day her sister died, but at that point I have no clue how long ago that was, so it was a bit confusing. Later in the story there's the scene at the cemetery, which made me wonder: how come there wasn't a scene about the burial itself? It just seems like a big thing to not really mention.
I really liked the inner-voice thing you had going on throughout the story. It provides a nice contrast between the inner turmoil and what's actually happening on the outside. Low-key might steal that technique. One thing I didn't really understand was why at the beginning this character was so mean. Was she just really annoyed that day, or is that how she is as a person? It was this personality chunk I couldn't really figure out.
Overall, you've crafted a fantastic story. There's just a couple of things to be fleshed out and you're good to go:)
Hi Kelsey!
ReplyDeleteI enjoyed reading your story - it has that quality of instantly drawing the reader in from the first few lines! Your character voice is really strong as I could really get into her head and feel her inner conflict. I think your varied use of dialogue and character thought works well in expressing both point of view and detail. The first person point of view made it easier to visualize what the character was seeing and hearing.
The story arc is also impressive - as a reader, I feel satisfied following this character from exposition, through character development and realization. Specific parts that I think might need more expanding on include the sisters' relationship (past the car, perhaps other related events) and the family dynamic. When the line goes "Becky and I used to sneak away at recess and eat our lunches on this bridge," I instantly want to know more about their past. How did their relationship change so much when they grew older? How have others reacted to the sisters' frayed relationship prior to Becky's death? I appreciate the transition into a reflective voice and the direction towards a supernatural presence from her sister.
This story has a lot of potential as your details and language flow exceptionally well. Just more backstory would allow us to fill in the gaps about the characters' relationships.
Dear Kelsey,
ReplyDeleteWow, I did not expect such a sorrowful story. Obviously, the subject is very dense and carries a lot of weight. As a writer, it seems there is so much you have to work with here, that you have to be careful what you write about and how you express things because the situation is such an intense, extreme situation that you have to get everything really tight and neat in order to create a real story.
I think you made Jen’s emotions very real and did a good job of making clear just how distraught someone is when something tragic like this happens. When you say, “The casserole is salty, but I know I need to eat something. Not that I deserve it. Why am I sitting here eating tuna while my little sister is laying in a morgue somewhere,” this definitely captures the feelings one has during a time of loss. I can see her sitting in her room, robotically shoving the salty tuna in her mouth. This paints a very realistic picture of loss. Most of Jen’s emotions are valid and are described well, but I would have preferred some more details like this with the tuna casserole. I had a hard time picturing the scene of the incident when Becky was hit, or maybe describe what Jen saw while she was driving home in a rage? I also think Jen could describe her room or maybe her house and how everything looks different or lifeless, seeing as she spends weeks on end in her room, I would enjoy seeing the scene more detail of Jen sitting, grieving, being as still as a statue in her room. What kinds of things does she try to cope? Does she just sit? Does she walk around the room or try to read or write? Watch TV? I think since you did such a good job mentioning Jen’s emotions, maybe now focus on details of the story and details of setting to make the story more tangible physically.
In terms of Jen’s character, is this realistic when she knows that. “Something bad is going to happen today”? Wow, she must be really intuitive. To me, I was very surprised she knew something like that would happen because people I know who’ve had young family members die did not know that person was going to die, when it was a surprise like this. But they did know something was wrong seemingly right when the accident happened, before they even got a call about the death. Maybe hold off on the foreshadowing and premonition stuff until Jen arrives to the house and sees the car? It is up to you. But in terms of developing a voice for the character, I think you did a good job because Jen is quite strong in her opinions. When she talks to the therapist:
Dr. Collins said, “They might even feel personal responsibility for the situation. The important thing for you to understand, Jennifer, is that this is not your fault.”
“The hell it isn’t.”
“What do you mean by that?”
“Just forget it.”
She has a very strong voice. If this closed-off, angry character is what you are going for, then you hit it right on the mark.
Good work and I like the idea of this story being developed more because it is an interesting topic and story!
Dear Kelsey,
ReplyDeleteI like how your story begins with “something bad is going to happen today,” because it’s attention grabbing and made me want to read on. The thoughts of the narrator’s internal world provide a personal relationship between the reader and character, where other characters do not know what we, the readers, do (like that she’s really not “fine”). It helps the reader feel her inner conflict. The repetition of certain phrases, such as “your fault,” is useful in emphasizing the intensity of her thoughts. I like the development of your character “Jennifer Johnson” and how it begins with a clearly agitated older sister and ends with a vulnerable, healing daughter. I also like the imagery in your description of the therapist’s waiting room (“The glass coffee table in front of me is home to a neatly trimmed bonsai tree, a stack of magazines, and a little Zen garden,” and the image of her dragging the rake “back and forth, through the fine, white sand.” I hadn’t expected the last line of the story when she says, “I think I’m ready to talk now,” and I enjoyed the character growth. It developed into a story about frustration, blame, grief, guilt, vulnerability, and in the last line, ultimately about forgiveness.
Perhaps it could be interesting or helpful to provide a sentence or two about why the character feels like something bad is going to happen. What feelings is she trying to hide through “intellectual endeavors,” and why is it “already a crappy day”? A little backstory may be helpful here. It could also be helpful to describe the sisters’ different lifestyles or personality traits. And when she is at the grave providing one or two good childhood memories of the two sisters together would show their bond, beneath the bickering. Towards the end, the transition between her at the cemetery and her needing to go home happens a little abruptly. Consider adding one or two more lines that help lead her to going home/calling Dr. Collins, because this part is very interesting!
Overall I really enjoyed reading your story! The imagery and range of emotion you painted worked very well.
Dear Kelsey,
ReplyDeleteI love the improvements you’ve made to this story! It’s really coming together nicely. You’ve now given Jennifer a beginning and ending point, where she is able to make that revelation that is so crucial in good stories. I really appreciate the end, with Jennifer calling the therapist.
At the same time, I think you need a bit more of character development. Would she really go from “about to commit suicide” to “being a better daughter” in the short time you gave her? There should be more between the two states of mind, as nobody under that much emotional stress changes their point of view so quickly. So there needs to be more story development, as this still feels like a draft.
Another thing I felt should be changed is the weather comment while she contemplates jumping off the bridge. The thunder just seems too cliche. If you made it a beautiful evening, maybe the contrast there leads Jennifer to realize that dying is not the solution.
All in all, there are some great improvements here. Can’t wait to see where the story goes!
Best,
Shannon
Dear Kelsey,
ReplyDeleteI loved your story, it is amazing. From the very beginning I wanted to keep on reading because I wanted to know what was wrong, what was the bad thing that was going to happen. In general when a story starts like this I am thinking "ok, and now the bad thing will happen…" all over the story I am waiting for that to happen, but yours is so well written that by the second paragraph I had already forgotten how it started and I just wanted to keep on reading. It wasn't until she notices that the police is there that I thought "something might have happened to her sister".
I loved how you found a way to let Rebecca forgive Jennifer. Adding the smell of her perfume and the breeze makes it more real. I believed that Rebecca was around to comfort her sister.
I tried to look for things I would take out in your story but I couldn't find anything, honestly everything adds to the story, even the leather armchair in the therapist's office is a nice touch.
The topic of the story is difficult but it is so beautifully written that you want to keep on reading even with a lump in your throat.
Great job, Kelsey!
I really really enjoyed this story. I thought the way you described the guilt was spot it made me feel like I didnt let her drive the car. The only thing I might try to work on a little bit is the scene where she pulls up to her house and the cop tells her her sister died. It is already very goo but maybe try to make it more dramatic like have pauses and maybe make the mom like screaming at the cop just something to show how serious and fucked up everything is. Great Job!!!!
ReplyDeleteWow... these are some really long comments you are getting! I'll make this one short for you (No, I am NOT being lazy). I loved the story, and think you should post more. Tada! Short post. : )
ReplyDelete